Number of Tracks:9 Vinyl Size:12-inch Revolutions:33rpm Vinyl Color:Highlighter Yellow Jacket:Semi Gloss
** DOWNLOAD LINK WILL BE EMAILED WHEN VINYL SHIPS
Cardinal Fuzz are proud to present to you Moths & Locusts - Intro/Outro, the 3rd full-length offering from these Canadian psych-rock trailblazers.
Following on from 2013’s startling debut, Mission Collapse in the Twin Sun Megaverse, and the powerful sophomore release, Helios Rising (2016), Intro/ Outro represents a natural sonic progression for Moths & Locusts, yet with prominent use of vocalization over lyrics for most of the material, rendering the album largely atmospherically instrumental, it is also something of a departure.
Co-produced by the band and Rob the Viking (who also provides samples and tape echo) at his downtown Nanaimo studio, The Chamber, Intro/Outro is an organic recording that goes some way to capturing the Zeitgeist, reflecting global tension and uncertainty. While Moths & Locusts’ music has always remained woozily psychedelic, Intro/Outro is markedly infused with a previously unseen darkness.
This sonic territory is immediately established with the opener, Acid Cloud Pt.1, featuring the chilling vocalization of sleeve design artist Valentina Cardinalli, moaning and screaming behind a slow-burning psych rock assault. Cardinalli stars elsewhere, as does guest flautist Samantha Letourneau, especially on the trippy, fuzz-funk epic, Sea Hell, in which a spoken word sample from Joseph M. Mauro’s British Columbia: One Hundred Years 1871-1971 is inventively placed. Hymn to Hathor pays homage to the Egyptian goddess of, amongst other things, music and dance, before the speaker-destroying Strange Space sees the band in pummelling stoner-rock form. The intense, grinding Acid Cloud Pt. 2 is pure menace, inducing chills down the spine before the relatively serene Scream and the fractured Roadside offer respite from the overwhelming power of all that came before. Like Laibach jamming with Hawkwind, He Who Has the Most Strings leads into the weird, dubby closer, Martian Sunrise, to conclude a remarkable forty minutes of contemporary psychedelic rock music. The recordings were mastered by Bob Weston (Shellac / Mission of Burma / Nirvana’s In Utero and more). At the fore of the band’s massive range of influences on this occasion are Can, Trans Am, Rainbow Band, vintage synths, and post-Syd Barrett/pre-Dark Side of the Moon Pink Floyd. And, of course, Yoko Ono, who once said, “I like artists who have something to say, not wallpaper.” In which case, she would absolutely love Moths & Locusts.